Comments: 24
Eye-of-Tichodroma In reply to Kitty-Craftsy [2019-10-14 21:18:55 +0000 UTC]
You're right, maybe I should just lean into it. I've added a backlighting effect to the picture the detail above is from btw, following your advice: Priest of the Midnight Sun
I used the eraser for a long time actually because I somehow didn't understand how masks worked. I'd always make backup layers in case I changed my mind... glad I finally learned how masks work, it's much easier this way.
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Kitty-Craftsy In reply to Eye-of-Tichodroma [2019-10-20 12:09:20 +0000 UTC]
Damn yes! That's a bid what I tried to tell. This looks indeed already a bid better and more natural.
Wow, it's nice to see you actually did something with my feedback <3
Yeah, sometimes it's hard to learn new programmes and layer mask was a long time a big question from me too.
Until I had to use it for an internship. Then you just learn it. But it seems like you just learning on the road by just doing it.
That's a good thing c: Keep on going with your good work!
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davidrabin [2019-09-07 22:15:35 +0000 UTC]
very creative...everything mixes well...regards....David
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JustALittleAmerican [2019-07-10 02:49:52 +0000 UTC]
Wow!
This must have taken you a long long time!
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Eye-of-Tichodroma In reply to JustALittleAmerican [2019-07-10 10:33:23 +0000 UTC]
It did... I didn't look at the clock but it took much longer than my other Photoshop projects so far.
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Burke23 [2019-07-06 16:19:02 +0000 UTC]
Awesome
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smallch [2019-07-06 10:33:12 +0000 UTC]
Hello, providing a comment for project comment here.
To the positive comments, the picture is pretty well composed. The Priest is at the focal point of the image and the low angle gives him a sense of power. The shading/shadow also look about right. The figure looks pretty realistic, and there’s nice attention to detail. I particularly like how you can see the tendons and blood vessels under the priests skin and little bits of texture on his staff. So on a technical level I’d say that this is all very solid.
If I had to offer a criticism (and I think I do) it’d be in how everything comes together to produce an affect. I think the picture could look a little more striking. I also wonder if the priest would look more imposing and mysterious if he was backlit by the moon. Perhaps the colors could have a bit more contrast. Everything in the picture is very white. That may be the point, with everything being bathed in moonlight, but if that’s the case the perhaps you could make the difference between light and shadow more intense.
As a bit of an aside, religious figures can be a fun opportunity to throw in a lot of symbolic imagery to puzzle out,and it seems like there could be a bit of it here. There’s an opportunity to tell a story there, as you think about how everything ties in to a coherent system of dogmas and traditions. Here you have fruit on horns, peacock feathers and a pentagram, and I’m wondering what the idea is. Those things aren’t typically related to the moon, especially not in the Greco-Roman mythology, at least not as far as I’m aware. Background research into the subject might help you develop ideas for visual themes and motiffs. Not that you need to EMULATE an existing system of religious symbology, this is your art and its a blank canvass on that front, but you can use them as a reference point to build up your repertoire.
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RoleplayDragon2000 In reply to Eye-of-Tichodroma [2019-07-06 13:47:30 +0000 UTC]
Sounds like a thought process I know well! I've made many pictures along a single idea that grow into something often better than I imagined. You can't always control what comes from a single idea, nor should you - My favorite art is made that way!
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toothgame [2019-07-04 22:34:04 +0000 UTC]
this is really good!!!!
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33M [2019-07-02 11:14:08 +0000 UTC]
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