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#17thcentury #barefoot #bodice #feet #gaelic #scotland #scots #toering #toes #torc #arisaid #16thcentury #highland #musket #tartan #matchlock #athdara
Published: 2018-11-10 23:24:47 +0000 UTC; Views: 3313; Favourites: 46; Downloads: 15
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Description Yes, more smudgy, tartan enveloped historical stuff now, because I fancy a change every so often.

You know what that means, right?

HISTORY TIME.

So, I've drawn Athdara here a couple times now, and generally the writeup for each picture has focused on her clothing. That's all fairly interesting, but I thought I'd have a change. So, firstly; her name. Athdara is actually Irish Gaelic (Scots and Irish Gaelic, as spoken in the 16th/17th century were very similar) and means 'from the oak tree ford' A fairly specific name, honestly, but nice, I thought, and fairly easy to pronounce; without understanding the complexities of Gaelic language. Given that Athdara is from the Scottish Highlands, where Gaelic was the predominant language, I think it's entirely possible she'd have carried this name. I can't verify how popular a name it would have been, for sure, but have found the name mentioned in both Gaelic writing, and Lowland 'Scots' writing, implying that the name was popular enough to carry across those two languages and cultural groups.

So, that's her name. The next thing I want to mention is her weapon. For those who don't know their guns all that well, it's a Musket. Specifically, a 'matchlock'. Why matchlock? Well, the 'lock' is traditionally the bit of a musket which fires the gun. You pull the trigger (or, on some older guns, like Athdara's, the tiller, which has its origins in the crossbow) it moves some internals, and pulls down on the 'dog' which is the little curved bit of metal, which holds whichever 'igniting' mechanism the gun relies on. A Flintlock, for example, has a piece of, you guessed it, flint, held in the dog's 'jaws'. Pulling the trigger would release the dog, swinging it against a striking plate, causing the flint to spark, and ignite the gunpowder, and, boom. A matchlock on the other hand, uses a 'match' or fuse. This is a length of rope, or cord, treated to burn slowly once lit. This is held in the dog, and when the trigger is pulled, it drops against the powder pan, and off the gun goes. 

Now, Flintlocks came somewhat later, indeed, Matchlocks were the first widely produced 'lock' type guns. Earlier designs literally required the shooter to apply a match to their weapon's 'touch hole' by hand. Not ideal, since it made aiming very difficult, and was a clumsy operation to do in the heat of battle. The introduction of the matchlock dramatically improved the ease of operation for early guns, as well as allowing them to be shouldered in a way that would be familiar to modern shooters. 

Unfortunately, matchlocks weren't ideal. The matches were vulnerable to damp, and became useless when it was raining, indeed, there's records of entire units of musketeers having to basically do nothing during rainstorms, because their matchlocks were utterly inoperable due to the weather. Additionally... keep in mind that a musketeer will have a LOT of flammable stuff about their person. Their woollen clothing, contents of their powder horn, and even the little pre-packed cartridges hung from their belts were all flammable, were all vulnerable to being set alight if the match happened to 'ash off' or rub against them when it was lit. Further, if the match went out, then the gunner would have to try and relight it, before they could use their gun. The matchlock would be replaced in most European armies by the end of the 17th century, and in civilian hands, not long after. Some Asian, and African armies would retain matchlocks for much longer, and there are records of Tibetan peoples still using matchlock guns as late as the 1900's, for hunting and such.

The shape of the gun is also somewhat unusual, given the period that Athdara 'exists' in. She's from sometime around the turn of the 17th century, (I really need to settle on some dates.) By this time, most muskets had a recognisably 'modern' shape, whereas Athdara's gun has a much more... blocky, crude, un-ergonomic appearance. This is because, when designing it, I based it on a variety of older guns. The butt (the part which tucks into one's shoulder) is based on mid 15th Century German arquebus (a type of light, more portable matchlock gun) while the stock (the wooden bit which the supporting hand holds) is more akin to 16th century muskets. There's no real reasoning behind the choices other than 'I thought they looked nifty' 

That said, such a weapon would be unlikely to be in use by many of the European armies of the day, save perhaps in the hands of a hard up mercenary. Or, perhaps as a hunting gun, or an older weapon, bought (relatively) cheaply. Athdara is not a soldier, per-se, and so wouldn't really have access (or funding to buy) a more contemporary firearm. 

You know... that said, as well as not having a defined date for her to exist in, I also don't really have a defined role for her... Perhaps she's a camp follower with a grudge, perhaps she's just off on an adventure, who knows. 

Anyway, waffle aside, I hope you enjoy the picture. It was fun to work with, and, if you took the time to read it: I hope you enjoyed my history bit. I hope it doesn't come off as too 'preachy.' 
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Comments: 9

solariabons [2019-01-30 17:39:14 +0000 UTC]

Absolutely adore all the reasearch put into thsi piece, the writeup is extremely informative, love it when we are able to see parts of the character's creation process. Really like her, nice character design and very cool outfit!

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WelderFace In reply to solariabons [2019-01-30 17:58:50 +0000 UTC]

Thank you! I love being able to back up a sketch with some history~ 

And I am very fond of Athdara here

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rabastanlestrange [2018-11-15 10:58:59 +0000 UTC]

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rabastanlestrange [2018-11-13 22:11:26 +0000 UTC]

I couldn't help but 'ing every single piece in your gallery starring Athdara: I simply love this OC of yours!


Not only I find it delightful how you go to great lengths to draw her in (mostly) historically accurate clothing, however hard it may be to do tartan right, but I love the little textpieces you add where you go into those digressiones about weaponry, linguistics and, of course, clothing. It really shows how much thought you put into this fine lady.


I'd also have one possible suggestion about Athdara's background, since you seemed not to have taken a final decision about it yet in one of your previous pics. Could she possibly be-- a brigand? Or a border reiver, to borrow a historical term? The 1600's were the zenith of Scottish brigandage and the English Civil War (or Wars of the Three Kingdoms, to be precise) was a real boon for Scottish outlaws. I could really see Athdara as a quasi-legendary reiver, kicking so much ass all by herself that the English do not even believe that she really exists since there's no way all those raids could have been carried out by fewer than a dozen men working together. It would also be a possible explanation for her kinda-sorta anachronistic foot jewellery: if pirates have the right to incorporate unusual accessories in their look, why not bandits?

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WelderFace In reply to rabastanlestrange [2018-11-13 23:51:18 +0000 UTC]

Thank you so much! I really appreciate that. To be honest, outside of my Goblin characters, I think Athdara is probably my favourite character to draw. The relative realism I get to impart to her is a refreshing change!

And yes, the outfit is very fun to draw. I like to think of it as 80% historical, 10% Whimsy, 10% making it up as I go along. And, I think my main issue with tartan is the fact that as a leftie, I end up smudging my pencil work to near oblivion XD

I'm fond of those little textpieces, too. I don't get to flex my historical interest as often as I'd like, so Athdara's my main outlet for it. Hopefully I can think of more interesting babble to put together for the next drawing.

I'm really glad you suggested this idea for background though. It's an area I'd looked at, since, you're correct: The epoch of the reivers, and the time-period I picture Athdara in coincide perfectly. I think the only things that had stopped me from inserting her into that setting were A) I'd have to learn to draw horses, given Reivers were generally mounted And B) I was sort of struggling to reconcile the whole 'bandits are the baddies' sort of thing. I'm a sucker for goody-two-shoes (or, goody no shoes, maybe?) characters. I mean, I guess she could have a 'Robin Hood' sort of vibe. A chaotic good sort of thing. You're right with her eccentric style, too, the individuality of the reivers would allow a lot of leeway there.

I'll give it some thought, for sure, and really appreciate you offering up the suggestion. I mean, if nothing else, it's got to be better than my 'possible angry camp-follower' idea, right?

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rabastanlestrange In reply to WelderFace [2018-11-15 10:59:43 +0000 UTC]

Heh, who doesn't like goody-no-shoes female characters, I wonder? But perhaps it's all a matter of context and the parameters to measure somebody's goodness in a troubled period like 17th century Scotland might be different.  And aside from that, good should not mean meek. She strikes me as a fighter and as a woman who never quits and is very much in love with the feeling of being free. And because of that I really struggle to see her as a perfectly integrated cog of the Scottish society of those times (things were downright oppressive for non-conformists in that age!). And since she looks like the kind of person who's pretty happy with sleeping under the starry night sky and feeling the bare ground under her toes, she's ultimately OK with being labelled as an outlaw.


In fact, I could very well see Athdara making a forested valley into her own personal kingdom and offering temporary shelter to those who have lost everything while being the merciless foe of everyone wishing harm to her little slice of heaven. Give it a century and you'll have more songs about Athdara across both sides of the border than flocks of sheep! And at that point I dare anybody to paint her as a villain.  


Thank you for reading my speculations and for the !


P.S. It's hard to tell from the b&w, but is Athdara afiery redhead? It would compliment her look, I think.

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WelderFace In reply to rabastanlestrange [2018-11-15 12:54:21 +0000 UTC]

Yeah, I think if I was going to measure goodness in those turbulent years, I'd measure it by how she treated people, and not by how well she followed the laws. That said, I'd never pictured her as meek, irrespective of what job she would be doing (I don't think anyone could call any of my characters meek, ) I think she definitely fits as a bit of a freedom fighter, and, like you say, someone like that wouldn't really slot in well into the 17th century world. Much less a woman, who'd get it even worse. 

I think, therefore, you're right. The idea of her being an outlaw, with the 'end goal' of improving her, and her comrades' lot in life, is pretty nice. The idea of her having a little valley, or other area of land for herself and her company is also really nice, and, I think, a very good direction to take her. Yeah, Chieftain of her own little clan of waifs, urchins, outlaws and misfits. Very Robin Hood, I can dig it! I'm going to work on your idea a little more, but, this is probably the most concrete background she's ever had, so thank you! It's been a huge help, with you offering up these excellent ideas!

Oh, and yes, of course: I don't think she would look right without a mane of flaming hair. Of course, in lieu of any actual colour, folks will just have to use their imagination, haha!

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rabastanlestrange In reply to WelderFace [2018-11-16 22:39:02 +0000 UTC]

Thank you very much for the attention you reserved to my little bout of brainstorming. Feels great to have given some input to a fellow artist.  

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WelderFace In reply to rabastanlestrange [2018-11-16 23:14:36 +0000 UTC]

No, thank you for offering the ideas up! 

To be honest, the ability to 'bounce' ideas off another artist is something I've missed since my college days!

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