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Description
Author and Art Nouveau artist Robert W. Chambers (1865-1933) was a French-influenced Gothamite and part of a wave of American writers, including Ambrose Bierce and Clark Ashton Smith, who carried elements of 19th-century gothic fiction into the realm of science-fiction horror in the 20th century. Undoubtedly the most famous of Chambers’ oeuvre is The King in Yellow (1895), an anthology of eerie tales framed by a recurring play of the same title. Although it is never fully explained what the eponymous play is about, being referenced by characters in the dialogue and by passages being quoted to introduce the stories, The King in Yellow is said to drive readers mad by Act II. Like his contemporary H.G. Wells, Chambers had incredible foresight for the events that were to transpire in the modern era; and like another contemporary, H.P. Lovecraft, Chambers is being rediscovered by contemporary readers and it is probably only a matter of time before Hollywood takes notice.

Description
Author and Art Nouveau artist Robert W. Chambers (1865-1933) was a French-influenced Gothamite and part of a wave of American writers, including Ambrose Bierce and Clark Ashton Smith, who carried elements of 19th-century gothic fiction into the realm of science-fiction horror in the 20th century. Undoubtedly the most famous of Chambers’ oeuvre is The King in Yellow (1895), an anthology of eerie tales framed by a recurring play of the same title. Although it is never fully explained what the eponymous play is about, being referenced by characters in the dialogue and by passages being quoted to introduce the stories, The King in Yellow is said to drive readers mad by Act II. Like his contemporary H.G. Wells, Chambers had incredible foresight for the events that were to transpire in the modern era; and like another contemporary, H.P. Lovecraft, Chambers is being rediscovered by contemporary readers and it is probably only a matter of time before Hollywood takes notice.