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manchaliaina — Can We Go Now
Published: 2006-05-17 07:59:27 +0000 UTC; Views: 485; Favourites: 4; Downloads: 26
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Description Jesus never let things go. He must have
held a grudge to come walking out of caves
and float above the grieving, he must have
loved oddly for this to be his mercy.
And the things he opened are the things I
wished he’d open and the words don’t matter
if they’re breathing. Not until they’re gone.
If Jesus ever let them cut him
Down, he really wouldn’t be anyone’s
messiah. (And it doesn’t matter the children
that tremble at the sight of a bleeding
divine, there are other barefooted
doxies to the lord who’ll dance spring and
fall for him again and again,
blood for blood, spring for spring.)

*

Nothing’s coming back. That he winters
in my soul, that we wait together to die,
that there is ever spring – that I am someone else’s
child, and moved only as an alien music moves
a drunkard too far out to remember that
this isn’t his language – even these
will not now hold me to the promise
that love still spirals up, and in.
The winters win, sometimes, and when forgiveness
comes, it comes from holes gouged in frozen ground –
where the dead know enough to stay.

*

Jesus never let things stay dead and,
were I not a follower of a sort, I would
hate him better than this. But those of us
revived again and again to love have only
the hope that the taste of death will recede
one day, and leave behind something bigger
than the knowledge that nothing comes back
but some saviours refuse to leave and God
never opens all the secrets but lovers
suspended between giving and forgetting
will hand over the keys to anyone
with a cross in the eyes.

*

Will you never cut me down?
The man with the sponge
hasn’t been by for days.
It’s the spark, love. Is someone
else looking to be your messiah?
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Comments: 15

j-ouroboros [2006-07-09 04:52:42 +0000 UTC]

Religious imagery is probably my favorite thing in the world. Which makes this poem about my second favorite thing.

Not sure why down is capitalized in the first stanza. That threw me a bit.

And it doesn’t matter the children
that tremble at the sight of a bleeding
divine, there are other barefooted
doxies to the lord who’ll dance spring and
fall for him again and again,

Masterful. Spring/fall - love it. Love it love it.

Jesus never let things stay dead and,
were I not a follower of a sort, I would
hate him better than this.

I think that's my favorite part of the whole piece.

but some saviours refuse to leave and God
never opens all the secrets but lovers
suspended between giving and forgetting
will hand over the keys to anyone
with a cross in the eyes.

Wow. That line's like a freight train and it's amazing. I find myself wanting a "their" instead of the last "the," however. Not sure if that would be a good idea or not, though. O_o

Will you never cut me down?
The man with the sponge
hasn’t been by for days.
It’s the spark, love. Is someone
else looking to be your messiah?

Your endings are always fantastic.

Ever since you uploaded that recording of "God of Oceans, God of Edges," I find myself hearing your voice as I read your poems. Is that creepy? :-P Really though, I wish you'd do more of that (did you and I missed it?) because your voice really adds something to your poems. Depth or something. I don't know. More. :-D

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manchaliaina In reply to j-ouroboros [2006-07-09 09:08:08 +0000 UTC]

Thank you very much, that's very very kind. This has turned out to be one of my favourite poems of mine, too. I don't quite know how it happened, which is the key I guess. I haven't recorded any more poems because I don't have a strong enough internet connection upload sound files. Or enough patience to wait for the very slow dial up to do it's thing. Hopefully I'll find some broadband one of these days.

Anyway, thanks again.

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j-ouroboros In reply to manchaliaina [2006-07-10 03:14:34 +0000 UTC]

I do indeed hope you find broadband, my iPod is pining for more poetry!

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bananaprincess [2006-06-03 07:52:46 +0000 UTC]

You poor thing! You ask for advanced critique, but we are too awestruck to give it!
I wish I could say something helpful, but really, I can't! The penultimate stanza felt a little choppy to me at first, but the second time I read it, and the times after that, I enjoyed the breathlessness. It makes the "slower," more deliberate, final stanza more powerful (though I didn't get "spark").

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SerpentOfShadows [2006-06-02 20:24:32 +0000 UTC]

I don't know what to say about this other then it's beautiful and I really like it. I was originally going to say that the ending stanza felt rather incomplete, but then I read it again and changed my mind... It's a great poem, and the last stanza finishes it nearly perfectly.

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le-kisse [2006-05-25 01:43:35 +0000 UTC]

The first little section is my favorite.

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udrite [2006-05-21 12:07:25 +0000 UTC]

This freked the hell out of me, woman!

You know what's the best part about this poem? Only Jesus makes sense and i didn't get anythng else. i know i don't have a brain but this verified my suspicions of not really having one. Who are you, really?

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lovetodeviate [2006-05-19 12:16:46 +0000 UTC]

This is the third time I've read it (at separate times) and I've found something new and profound in it each time.

I won't dare critique.

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manchaliaina In reply to lovetodeviate [2006-05-19 12:21:13 +0000 UTC]

Oh, I wish you would. But (And?) thank you.

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lovetodeviate In reply to manchaliaina [2006-05-19 13:00:39 +0000 UTC]

Maybe after I've read it another three times.

And you're welcome.

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completeaccident [2006-05-17 19:47:05 +0000 UTC]

Oh, you. You and your poetry. You and making every word count four times.
...who'll dance spring and/fall for him again and again, That was wow. All of it was wow. All of it was amazing. Thank you for the second stanza, and for putting it where you put it. It needed to be there, and this is one of those complete and all encompassing poems
until the last three lines
and then wtf I don't know. Then I started crying and had to go have a really mundane conversation about housing with someone else.
Anyway, I love the gravity that happens and doesn't happen sometimes in this poem. I don't know how you do it. All of your poetry has such a profound sense of geography and placiness. Each poem has a map behind it, it's amazing amazing. I don't know anyone who maps like you do. Er, gravity relates to maps because this poem's map is vertical as well as horizontal, and it goes up and down, which I think is pretty sneaky of it, all things considered.
the hope that the taste of death will recede is one of many instances in this poem of moments where your rhythm shakes things deep. You know how to make the things you want to stand out, stand out, and unfortunately me waving my hands here to show you what I mean isn't doing a lick of good. Fortunately, you wrote the damn thing, so you know what I mean, even if you don't know I mean it. Maybe.
This was a really good poem, and not just because I was really really waiting for it, and not just because it was about Jesus. I really want to vivisect it all over the dinner table, but I still have a little bit of shame left. So I won't, but this was incredible. (I'm going to go nurse me some shame. Barefooted doxies.... )

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manchaliaina In reply to completeaccident [2006-05-20 10:15:59 +0000 UTC]

My first response was: what did I do? But then I knew, so that was disingenuous. Life is so weird, Merry Anne.

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completeaccident In reply to manchaliaina [2006-05-22 18:42:50 +0000 UTC]

Amen.

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Pinocchio-Liez [2006-05-17 18:20:20 +0000 UTC]

I agree with Jennifer...!

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JenniferStarling [2006-05-17 13:32:18 +0000 UTC]

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