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lemonflower — Paper Test

Published: 2013-02-08 19:14:40 +0000 UTC; Views: 1963; Favourites: 34; Downloads: 23
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Description I'm trying a new kind of paper! This, for me, is a Big Dang Deal! It's smoother and thinner than what I'm used to, but I like it (I can't remember what brand it is and it's not watermarked, womp-womp, but I remember where it is in the store relative to my usual paper, un-womp-womp). Overall it did what I wanted it to - made it possible to paint and scan lighter colors without them getting too dingy. I still have to fiddle with my scanner so white scans white someday, though.

Oh, and there's fake-o text and those transparent frames on three sides because it's formatted like a picture book, and the picture inside the frame would be the trim. Watercolor & digital.
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Comments: 11

BekaDavisStudios [2013-02-19 15:52:12 +0000 UTC]

How do you paint so perfectly??!!

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lemonflower In reply to BekaDavisStudios [2013-02-20 18:15:28 +0000 UTC]

Aw, thanks! ^^ You're too kind! And I do lots of digital touch-ups. ; )

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Lelpel [2013-02-11 01:47:48 +0000 UTC]

Too cute! Paper is looking good

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lemonflower In reply to Lelpel [2013-02-11 19:28:04 +0000 UTC]

Thanks! : ) Yeah, I need to keep experimenting on it, but so far so good.

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MzGrimz [2013-02-08 22:25:21 +0000 UTC]

This is simply amazing! I wish I could watercolor this well! Very beautiful!

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lemonflower In reply to MzGrimz [2013-02-11 19:28:27 +0000 UTC]

Thank you, so kind! There's some sneaky digital involved too. : )

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MzGrimz In reply to lemonflower [2013-02-11 23:09:53 +0000 UTC]

You are very welcome! ^^

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mlauritano [2013-02-08 19:57:15 +0000 UTC]

Looks good! How do you keep your watercolors so ridiculously sharp? I'm seeing a tiny a bit of looseness on the far right squirrel and wondering if everything is pen-tooled shapes for maximum clean-ness and additional value/saturation/gradient tweaks. And is the initial drawing just a super light delicate pencil, occasionally brushed for linework? HOW DO YOU DO THIS?! How long does it take?!

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lemonflower In reply to mlauritano [2013-02-09 19:58:26 +0000 UTC]

You pretty much nailed it! I actually do a full watercolor painting, though, then scan it, set it on multiply, and color it again shape-by-shape with the pen tool. The digital part only takes an hour or two and it's meant to make the final piece look like what I wrongly thought the painting looked like until I scanned it (with a couple exceptions - for example, I knew I wanted the girl and foreground stuff to be darker in the final, so I didn't worry about it when painting and just slapped a multiply layer over it in Photoshop. And then I thought it was too dark over the squirrel you mentioned so I lazy/sloppy erased it there. Sshh, don't tell anyone, sharp eyes).

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mlauritano In reply to lemonflower [2013-02-09 23:46:01 +0000 UTC]

I've been trying to improve my pen tool skills lately (and digital skills in general), but clearly I'm still at the beginning of that process if this only took you two hours. H. O. L. Y. C. O. W.

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lemonflower In reply to mlauritano [2013-02-11 19:26:42 +0000 UTC]

This is kind of a cheating example because I didn't have to make any color decisions, just saturate what was there! But I have been doing it since my junior year, so 2007-8...I remember bringing in just-watercolor, just-digital, and the combo, and the crit group chose the combo and I thought, "Well, crap, just doubled my work". But it gets faster!! : )

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