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jbwarner86 — The Evolution of a Star

Published: 2007-07-13 20:39:49 +0000 UTC; Views: 4434; Favourites: 40; Downloads: 39
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Description I recently realized that out of all the BarbozaToons-related pieces I've done for DA, I've never shown the characters looking like they did in periods other than the 1940s and 1950s. I figured it was high time I schooled you folks in the fabricated history of my original characters...

Ken Kangaroo wasn't always the principal star of the Gryphon cartoon studio. He was preceeded by Bill the Dog, who was the studio's only starring character in the 1930s and spent pretty much all his cartoons chasing after his disobedient pet parrot Toots when she'd go off and cause trouble. Bill and Toots started out in 1932 as very generic-looking characters, with Bill being sort of a bizarre hybrid of Mickey Mouse and Oswald the Rabbit. As the 1930s progressed and the Gryphon animators got a better grasp of their skills, Bill and Toots were redesigned to be a little more distinctive.

1938 saw the release of a black-and-white Bill and Toots cartoon called "Australian Antics", in which Toots gets loose in the Outback and makes friends with a kooky-looking kangaroo. But in the end, the kangaroo proves to be so crazy and unhinged that he gets the best of both dog and bird, and the film ends with the looney marsupial hopping off into the sunset as he repeatedly bashes himself in the head with a mallet while singing "Waltzing Matilda". The kangaroo character got such huge laughs from moviegoing audiences that the Gryphon studio decided to give him a few more cartoons, this time as a solo player who pulled his schtick on other unsuspecting saps. Within a year, he completely replaced Bill and Toots as Gryphon's biggest cartoon star.

It wasn't until 1940 that the character became known as Ken Kangaroo, in a cartoon called "Hop, Skip, and Chump", directed by pivotal Gryphon director Howard Alberts. Alberts turned the character into a more controlled personality - less insane and more sophisticated, as was the style in animation at the time. He also redesigned Ken to become less goony and more solid. By 1943, Ken's look had been ironed out by Hal Williams, who took over Alberts' unit after Alberts left to pursue other endeavors.

As for Ken's most popular and frequent adversary, Cleft Rockpile, he didn't come along until 1945, when director Dirk Halstead decided that Ken's cartoons needed a recurring villain, one who could pose a threat without being too clever to outsmart the quick-witted kangaroo.
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Comments: 20

RobertTheGreat6667 [2022-05-10 05:36:53 +0000 UTC]

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operative274 [2008-02-27 01:45:16 +0000 UTC]

Well DONE sah - you've certainly done your homework on these! Wonderful job with the backstories

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katrover [2007-07-20 05:54:37 +0000 UTC]

I am ... truly awed. I am amazed by your knowledge of animation history and love how you applied it to the fictional history of your own characters.

I must admit, Ken really has an affinity for Bugs. I know where you got 1940 Ken's white ear tips from.

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Kinggigasmon [2007-07-17 18:28:22 +0000 UTC]

Cool! it reminds me of Steamboat Willy to modern-day Mickey Mouse!

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TailsCorra [2007-07-15 21:21:24 +0000 UTC]

As I said before, you have a great command over the animated form. This particularly shows again in your ability to emulate the older animation styles.

The part that stands out the most for me would probably be the 1940 interation of Ken. The shape of the head remnds me a lot of Bugs Bunny's earlier designs (a shape I have a difficult time describing, I guess 'rounder' and '. This is probably a given, as each character involved gets noticibly more and more complex as they age; gradually evolving from simple shapes and fleshed out to create detailed characatures.

Might we ever see a modern version of Bill and Toots? Or are they likely to live as only golden age animated characters with occational references thrown into modern cartoons and spoofs?

To the description of Ken's initial personality though, it seems quite different from what I initially took him as, being somewhat the straight-man of the Barbozatoons Menagerie.

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jbwarner86 In reply to TailsCorra [2007-07-15 21:30:21 +0000 UTC]

Thanks! I studied Tex Avery's early Bugs model sheet from 1940 as reference for that period in Ken's life. As for Bill and Toots, they were the sort of Bosko and Honey of Gryphon Pictures, and they drifted into general obscurity after the 1930s, but the occasional reference to them was made on shows like "The BarbozaToon Kids" in 1992.

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Scott-da-Hedgehog In reply to jbwarner86 [2007-07-17 22:09:27 +0000 UTC]

Am I therefore to assume that "The BarbozaToon Kids" had a "Fields of Honey"-type episode with Bill and Toots?

It can't be stated enough how much detail you have put into this. Excellent job.

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DCLeadboot [2007-07-14 23:16:57 +0000 UTC]

Heh! I love the WB style you seem to use here!

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FractiousLemon [2007-07-14 17:13:32 +0000 UTC]

Quick question. I've noticed (obviously) that you use an old-school sensibility in your BarbozaToons series, as well as the old cartoon gag that the characters are all actors and Hollywood big-shots. Is this just a series of shorts you have planned, or perhaps a larger series about the characters' lives featuring the shorts they star in as sort of "sideshow"? And, if so, does the series take place in the 40's or is it like Animaniacs, with the oldschool characters wreaking havoc on a modern world sorely in need of a good laugh?

... Technically, that was two questions, now that I think about it, but I don't care.

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jbwarner86 In reply to FractiousLemon [2007-07-14 17:54:39 +0000 UTC]

Basically, the whole thing is a pastiche of the Looney Tunes and classic animation in general, rather than an "Animaniacs"-type situation. The characters exist only as characters, and I created falsified names for the crew of the animation studio that spawned them. I've always been fascinated by the history of American theatrical cartoons, and I wanted to create my own little universe that paid tribute to it. The history I created for the studio has a release schedule that spans from 1932 to around 1965, with a long period of other projects from then up until the present. Gradually, as I unveil more of what I've created for these characters, it'll make more sense.

Originally, I actually was going to do a comic series that followed the characters' off-screen lives (in the same vein as Warner Bros. cartoons like "A Hare Grows in Manhattan" or "A Star is Bored"), but now it's beginning to look like I'll just do comic adaptations of the cartoon ideas I've devised for them.

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FractiousLemon In reply to jbwarner86 [2007-07-14 18:26:43 +0000 UTC]

Sounds cool!

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jpox [2007-07-14 17:08:46 +0000 UTC]

You do an excellent job imitating the style of those early periods in animation history!

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ThirdPotato [2007-07-14 14:10:53 +0000 UTC]

I love how you put your whole character stories into such realistic histories! XD I can totally see Oswald there! And such cute developments; I also like the replacement aspect. Its sad!! XD Yet a reality too. I swear, sometimes I'm still gullible enough to think that you're writing what really happened! XD Anyway, I really love the drawings, especially Ken in the last pic. Such a great animated pose!

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Captain-Chaotica [2007-07-14 10:13:19 +0000 UTC]

Great stuff! I was just recently watching some old cartoon shorts--including black and white (and in some cases _silent_) ones from the '20s, and I have to say--you have TOTALLY nailed all the basic styles of the different eras you've drawn here. Totally!
Disney stuff is more my area of "expertise" when it comes to old shorts...I like to say I can tell at least what decade a picture of a (main) character came from just by the style, usually. But it seems some things about those eras are just American Cartoons in General. I totally would've said "'20s" for that first one if I hadn't already known, for example.

So in other words, this picture totally rocks! And I just like "evolutions" in general, anyway. That kind of thing fascinates me.

...Notorious

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YoliDraw [2007-07-14 07:05:26 +0000 UTC]

very interesting

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Manga-in-a-Bottle [2007-07-14 05:15:40 +0000 UTC]

You obviously know a great deal about the history of American animated shorts -- there's no other way you could've pulled this off...

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AxleGrease-75 [2007-07-14 00:05:38 +0000 UTC]

Character elvolution.
Cool

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MoStoopid [2007-07-14 00:00:34 +0000 UTC]

I like the progression and differences in this piece...Your definately popping out art works here and there alot lately...That's awesome Good job with them

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Doodley [2007-07-13 21:56:08 +0000 UTC]

That's very clever. You put a lot of thought into the fictional universe in which they were created. And I love the look of the Ken during those time periods, the style looks....well....authentic!

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QwertyChris [2007-07-13 20:58:30 +0000 UTC]

Very intresting development on character history here. Not a big fan of the old Black and White cartoons but I like how you captured the style ofthat by-gone age for Ken's backstory. Though it was this line that gave me a chuckle:

"...repeatedly bashes himself in the head with a mallet while singing "Waltzing Matilda". "

Now anyone dare tell me THAT doesn't sound funny!

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