Comments: 14
artmunki In reply to alexasrosa [2012-06-14 02:58:43 +0000 UTC]
Don't be daft lass - you know I'm always happy to answer questions. Okay, let's see ...
I usually keep all my layers separate right to the end. That allows me to play around with the colours without affecting other work. My usual setup starts up with 4 layers between the flats & lines (from the bottom: grads, shadows, tones, rims), and 3 above the lines (overs [just a normal-mode layer], screens and overlay texture). Sometimes I don't use all those layers, particularly in sequential work, but with pinups & covers I often end up adding more layers. It gets pretty ridiculous sometimes - I've had a few pieces get up to nearly 30 layers.
The grads thing is sorta conditional - not all artwork suits doing this, but when it does it's really effective. I'll have a layer under the flats with some block selections picked out (like a sorta group flats layer for the different 'depths' or elements of the image/panel) which I use just for making selections for gradients & effects. Sometimes I'll throw a gradient over a whole area, other times it'll just be over a figure/figures, and very occasionally I might pick out parts of the figure. Basically what it does is help me establish really rough lighting so I can then go on & pick out details on the shadows/tones layers. If you get it right, it can half the amount of actual work you have to do, so it's a great technique ... if the art suits it. I kinda developed the technique working on Filler, so I do this with your flats all the time!
And the bloom layer - well, once I'm happy that I'm finished (tho recently I've been doing it earlier, like with this piece) I make a copy of the full image, paste it on a new layer under the overlay texture and hit it with gaussian blur, brighten it in hue/sat by about 30 or 40 (depending on how dark it is) and set the layer to 'soft light'. It kinda softens the whole image, gives it a bit more depth and intensifies the colour a bit - it's hard to describe, but it can have an amazing effect. It can turn a 'meh' page into 'mmmmm!' ^_^
I think that covers all your queries, but you know you can always ask whatever you like. And if you want to see the PSD, I can drop it in the box again for ya.
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artmunki In reply to TracyWong [2014-02-27 17:55:06 +0000 UTC]
See, I don't 'do' secrets ...I just rarely get around to explaining how I do stuff! ^_^
Glad you appreciated it tho - hope some of my techniques come in useful!
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CHRISROYAL [2012-06-05 07:24:19 +0000 UTC]
awesome work here.. sick blending of color!
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artmunki In reply to CHRISROYAL [2012-06-05 18:56:13 +0000 UTC]
Thanks man. The stages on your piece were more or less the same too.
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juan7fernandez [2012-06-04 17:41:44 +0000 UTC]
I like seeing the steps man, and cool presentation!
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artmunki In reply to juan7fernandez [2012-06-05 18:53:45 +0000 UTC]
Thanks man, just thought some folks might appreciate seeing what I get up to.
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curtsibling [2012-06-04 15:12:50 +0000 UTC]
A seaoned pro reavels his wizardry! Nice, sir!
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artmunki In reply to curtsibling [2012-06-05 18:49:55 +0000 UTC]
I'll do better once I get a working install of Flash and figure it out, but thanks man.
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SweetyWhite [2012-06-04 14:47:23 +0000 UTC]
Well.. The only thing I can tell? amazing!
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artmunki In reply to SweetyWhite [2012-06-05 18:47:29 +0000 UTC]
That's certainly praise enough for me! ;D
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SweetyWhite In reply to artmunki [2012-06-05 19:10:04 +0000 UTC]
I'm glad to hear that! >.<
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