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Description
Production Notes:
Pretty straight forward, actually, as lighting set ups go. On top of the multiply layer I used for the key light, I added, above the line layer, a linear dodge one; wherein I used my Thick 'n' Heavy brush to gently contour the tree and bard with a moonlit rim light, which I did with a light blue, and then, with a dark red, I used a soft brush to oh-so gently brush more heat on the patches of light.

Then, to make the Bard pop and add more perspective, I lowered the opacity on the tree.

Description
Production Notes:
Pretty straight forward, actually, as lighting set ups go. On top of the multiply layer I used for the key light, I added, above the line layer, a linear dodge one; wherein I used my Thick 'n' Heavy brush to gently contour the tree and bard with a moonlit rim light, which I did with a light blue, and then, with a dark red, I used a soft brush to oh-so gently brush more heat on the patches of light.

Then, to make the Bard pop and add more perspective, I lowered the opacity on the tree.