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Talanor — Snowing
Published: 2006-01-30 09:38:53 +0000 UTC; Views: 273; Favourites: 3; Downloads: 30
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Description
Heavy snowfall dangerous to raffic, pay attention to the signals!Related content
Comments: 18
Its hard to take a snow shot and not have it look cliche, however this shot like all of you're others has so much soul to it that it could never be said to be simply a jump onto the pretty pretty snow photo bandwagon, (if you know what I mean). You've got a good eye
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bella l'idea del cartello rosso
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Come hai fatto a convertire l'immagine in B/N e a tenere i colori sui cartelli?
Hai messo su un altro layer i cartelli prima di convertire?
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dopo aver selezionato i cartelli li ho copiati su un altro livello, poi desaturato la foto sul layer basso, e mantenuto i colori dei cartelli usando gli effetti dei layer.
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that one is cool
i especially like the angle in the background and that you only left the traffic-signs colored!
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qutie a nice and busy photo. the sky is really burnt out in the top left though and it breaks teh continuity of the layers in the picture. i would crop it right out so it looks as though those layers getting further and higher go on forever, it will create a good optical illusion. if you want, also try fiddlign with the curves, see what you get....here is how to do it [link]
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what captured my eyes was how the image lightens up as you start from the bottom to the top with the snow looking so beautiful
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Nice think there is a bit too much going on but nice. Great idea too!
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fantastic!! it's so simple and cemetrical! I really love this 
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it is a manip but also a picture, still don't understand the boundries betweeen the two...
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A photo here is something un-edited. If it is edited is should be only edited in ways that would be capable of somone in a darkroom. And then it should be put into the digital darkroom catagory.
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thanks for your help, just to know in a darkroom is it possible to obtain something like this?
By the way do u like it?
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well No... Colour works on putting the film through treatments for each color. If you were to just keep the red, it means that everything on the film would be red and white. Not black and white. If you were to treat it for black and white there would be no way of confining the signs to treat them red later.
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The only critique I can offer on this wonderful shot is that it's too big to see in full resolution on my monitor. The contrast of the relatively small colored signs to the rest of the shot is sharp and stark, and while there's almost too much going on in the shot to itemize everything that could be a secondary subject, it seems very serene and quiet.
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