Comments: 78
mbinz In reply to lil-razzle-dazzles [2014-02-11 07:28:20 +0000 UTC]
That's the one! `¬) looks like lots of useful props in it too!
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AntaraNN In reply to ??? [2014-01-25 02:59:56 +0000 UTC]
Thank you!
And best of luck with your image. Hopefully I'll see the result, as I am curious about what you come up with. I think the lighting you created in your forest image might give a similar atmospheric look in a more shallow enclosed environment such as a room interior.
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JoePingleton [2013-11-13 02:45:58 +0000 UTC]
WOW Gorgeous artwork
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JoePingleton [2013-10-29 21:15:24 +0000 UTC]
Gorgeous
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AntaraNN In reply to Hyperion-Studio [2014-01-25 02:54:17 +0000 UTC]
Thank you very much for your comment!
I love Carrara for its lighting. Some things can be left to render for actual physically accurate realistic lighting, and sometimes the lighting could just be faked (which is what I often do), for a much faster render time.
If you ever get stuck trying to achieve something in Carrara, send me a note and I'll be happy if I could help.
Best of luck experimenting!
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AntaraNN In reply to madaigual [2013-07-02 20:23:52 +0000 UTC]
Thank you. I am hoping you are joking, though, as I keep finding more and more unreachable levels of mastership shown here all over DA, some of your own images included. I envy how brave you are with use of colour; I usually tend to shy away from it. 3D made it better, but I still have to fight myself over it all the time, while it looks so natural and fun when you do it.
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flyashy [2013-04-30 13:33:33 +0000 UTC]
Hi Antara,
This is fantastic! Great lighting & details make this image a visual delight! I am so much reminded of classical paintings & you seem to have a great amount of chiaroscuro going in here!
Love this image because it makes me want to get in there!
Kudos!
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D-VoiDeD [2013-01-31 19:33:05 +0000 UTC]
What do you use to render you scenes, Poser, DAZ, or something different? It looks amazing! I like it a lot.
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AntaraNN In reply to CraigJohn [2013-07-08 20:41:09 +0000 UTC]
Thank you! And thank you for watching and for your comment above.
I do wholeheartedly recommend Carrara. Very often when people like my images and ask me how I did them, I feel very embarrassed about how little work it actually took and how much of it was done instead by Carrara. I recently uploaded one of my first images, which was done back in the first couple of months of me discovering Carrara. Come to look at it, I'm not sure I'm showing too much progress over the years, but aside from that, I think the image(~s: they are 2 in one with the second being done a few weeks after the first) is a good indication of what a newbie can do in a very short learning time. (The image is "Artistic Tribute 1)
If you do decide to check Carrara out and have any questions, please don't hesitate to ask. I'd be happy to help.
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AntaraNN In reply to CraigJohn [2013-07-11 04:16:17 +0000 UTC]
I bought Carrara 7 on one of the very steep sales and then spent around $100 on the subsequent upgrade. So I guess I'm not feeling it's real cost that much. Vue seems too expensive to me in comparison .
I'm not trying to sell myself short, it's just in my experience with traditional art and film production, creative endeavours usually require a lot more hard work compared to the effort I spend on my images here. So I always feel like I am cheating or doing it wrong somehow. Also partially confirmed by the widespread disdain towards all content users like myself. But there the programmer in me flat out refuses to abide by the inefficiency of "pure 3D" which decrees reinventing the wheel every time and modelling everything from scratch. If I can find and adopt what others have done before me, I'll do it. If not, I'll make my own. And, bonus, Carrara lets me make my own content, and makes it relatively easy, too. Although modelling and UV-mapping are the least enjoyable tasks for me. But such "if nots' are becoming more and more rare as more content becomes widely and often very cheaply available.
I never quit programming, I am still doing it. But I spent all of my vacation time last year doing production design for film projects and I spend a lot of my free time either creating 3D images or learning and experimenting with 3D or 2D graphics software. This year started with a lot changes for me, so I couldn't devote much time to my artistic projects, but I am hoping to find another production design or creative design project closer to the end of summer or in the fall. As to it going well, I'm not really sure. So far I haven't found enough solid ground in it to be able to switch to it completely. It would be interesting to get some freelance commissions, but I haven't found a good venue for it yet.
Sorry, this probably is too much information...
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CraigJohn In reply to AntaraNN [2013-07-11 10:43:47 +0000 UTC]
On the contrary, I want to know more.
Vue is expensive - if you're only getting it to render out Poser scenes but it is unparalleled in terrain generation (and is the reason why I'm not able to afford Carrara for some time).
There is widespread distain towards content users and to a point, it's justified. There are too many people who simply use a purchased figure, apply a purchased outfit, apply a purchased pose, usually leave it on the default lighting and render settings, hit render and say they did all the work when in reality, they clicked the mouse a dozen times. I'm not in that category and neither are you.
If Carrara lets you create content as well, that's another reason for me to add it to my wish list. There are more outfits available every day but I have a hell of a time trying to find those that aren't slut-wear or those outfits that look great with lots of detail until you realise the entire front is open showing their knickers and why do most of the outfits (even the more suitable to my needs outfits) always have high heels!!!
(I have nothing against slut-wear itself but the projects I work on are a little more serious LotR type fantasy work and not bondage type fantasy)
I used to love texturing when I was using other 3D apps but it did take a while in Photoshop setting up all the different groups for the material nodes (diffuse, bump, spec, displace, ambient etc). Dealing with an unwrapped UV template can leave you scratching your head over some of the bizarre shapes it's made though.
I'm glad you haven't quit the programming job, there's something to be said for financial stability. Obviously you don't enjoy it as much as creating your art, but do you enjoy programming?
And now I've rambled too much!
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AntaraNN In reply to CraigJohn [2013-07-11 16:28:45 +0000 UTC]
Vue's atmospheric effects and terrain generation is truly unparalleled, but for my terrain needs I so far never regretted having Carrara instead of Vue. Carrara has surface replicators with randomizing parameters and the ability to 3d-paint distribution maps for it, or use any procedural shading for distribution mapping, which allows for creation of environments similar to EcoSystem. Carara has dynamic hair, which can be used to fake grass, if you don't want to use replicated grass. Carrara has volumetric clouds and replicators independent of surfaces. Plus fog, haze and a few atmospheric parameter system, which can be set up for any scene. And there is also black-and-white terrain generator with a bunch of settings, which you can use to generate terrains, paint terrains, or import elevation maps (the black and white ones, not the cartography ones). And then you can convert a terrain into a vertex object and finish tweaking it using regular modelling tools.
Clarification about content creation: I don't think you can rig content to be sold in Poserverse using Carara. But for your own needs, you can definitely model content, UV-map and rig it, and there is even a way to apply rigging systems from other Poser-intended objects for your new model, so that you don't have to figure out all the constrains every time. Or you can model and UV-map in Carrara and use Poser or DS to rig for Poser/DS, then it becomes Poserverse content (and can be sold if you so wish).
I understand your frustration with available content. (As you can probably guess from my gallery .) Which is why I recently added Marvelous Designer to my software tools. 'Time to Play' was done with a simple dynamic garment created there then exported and imported back into Carrara. Thinking like a seamstress is more natural to me than thinking like a modeller/sculptor, so that program is a godsend for someone like me.
Yes, I do enjoy programming and in many ways I think like a programmer even in completely unrelated areas of my life. Although I'm not sure I enjoy it enough to spend my free time writing plug-ins instead of creating images .
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D-VoiDeD In reply to AntaraNN [2013-02-01 10:48:30 +0000 UTC]
I played a little with Carrara before. I liked it a lot back then (about 2 years ago). I have a really good idea how the lights and shaders work. I've started using 3ds Max back then, as well, and I also use 3ds Max for its rendering engine and just all the other capabilities I get from it. Absolutely none of the DAZ/Poser pre-made content works with 3ds Max, because I export everything as a .obj, then in 3ds Max I change all the shaders myself and obviously I have to setup my own lights, as well. I prefer it like that much more, because it gives you a lot more control over how the end result will look, instead of relying on someone else's creative flow and vision.
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Kevin-McKee [2013-01-20 17:25:38 +0000 UTC]
Gorgeous work.
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AntaraNN In reply to Kevin-McKee [2013-01-20 23:10:47 +0000 UTC]
Thank you! And thank you for watching.
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Ariel-X [2013-01-03 19:03:51 +0000 UTC]
This is a mastepiece!
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xerxes0002 [2013-01-03 01:17:51 +0000 UTC]
Beautiful work! I see you utilize different packages, what was the main one on this one? Carrara or one of the others? Again beautiful
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AntaraNN In reply to xerxes0002 [2013-01-03 18:01:07 +0000 UTC]
Thank you. This was Carrara, as is most usual for me. I use many content packs, but Carrara is my main software.
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Photominer [2013-01-01 22:51:06 +0000 UTC]
Wonderful.
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Eight-Clovers [2012-12-22 04:26:05 +0000 UTC]
I want to be there! This is so nice! The light just fills the room.
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AntaraNN In reply to Eight-Clovers [2013-01-03 18:02:03 +0000 UTC]
Thank you! And thank you for all your kind comments.
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Kriegerman [2012-08-12 16:10:31 +0000 UTC]
This is flawless
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Spellprints [2012-07-26 10:54:46 +0000 UTC]
this is just beautiful!!!!! I love the soft light and the bright lens flare. very magical.
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AntaraNN In reply to Spellprints [2012-08-03 17:37:46 +0000 UTC]
Thank you! I'm very glad my lighting setup worked out. But I did not use lens flare here at all...
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Spellprints In reply to AntaraNN [2012-08-08 09:26:32 +0000 UTC]
you did not? wow! this is incredibly beautiful !
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